L chair. Guadalajara, Mexico.
“Each artist believes that the world he paints, or sculpts, or narrates, or erects, or envelops in his music, is his world: the one that no one has perceived before him; the one that no one has understood as he has. For this very reason, he intends to enrich our reality with the contribution of his own. And for this reason – taking pains, correcting himself – he strives to ensure that such a contribution may contain the most representative, the most genuine and the most subtle of his human experiences” (Jaime Torres Bodet, 1967).
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